
I consider myself an intelligent reader, one who appreciates a solid piece of literature. As I display on the home page of this website, I consider reading as one of the most important practices a writer can do. Also as someone who works every day to better my writing, I admire those who put their writing skills to use in projects that receive so much praise that they’re honored with Pulitzer Prizes.
With all this in mind whenever I go to a bookstore, I try to find titles that pop out in their uniqueness and authors that are highly acclaimed for their work. In my most recent book shopping spree, I came upon the novel Olive Kitteridge, and right on the book cover, it had a big gold sticker that marked it as a Putlizer Prize winner. I was easily sold, and with ten other books in tow, I had my summer reading list for this year.
I decided to save the book until I was completely done with spring quarter and could focus on what I expected to be a writing masterpiece. Not having read the back cover of the book (I consider it a spoiler, and I like to read novels with a totally fresh slate of perspective), I had no idea that the novel was a compilation of short stories all connected by one dynamic character, Olive Kitteridge.
I gave the book a try, reading the first few chapters and waiting for the spark of Pulitzer writing skills to entice me to the point of not being able to put the book down. To my dismay, this never happened, and totally uncharacteristically, I decided to put the book down and begin another one.
Weeks went by, and every day as I would walk past the book sitting on my nightstand I would feel a pang of guilt for being so inconsiderate to what so many people called one of the best books of the year. Just recently, the guilt overcame me and I picked the book up for a second time, determined to read it all the way through.
I decided to start from the beginning, to hopefully foster a new and more positive reading experience. To my surprise, the events of the novel–things that I’d already read–all seemed new, the characters even more dynamic. The stories had a stronger tie, and in their differences, there were surprising contrasting themes. Most interesting was that I found a new appreciation for the delicate touches of literary devices the author, Elizabeth Strout, used.
I’m almost done with the novel now, and in giving it a second chance, I’ve found so much inspiration within the author’s writing magic than I ever could have expected. I hope to close the book not only a more intelligent–and patient–reader, but an even better writer. That’s what all writers strive for in their reading, after all, and by understanding and appreciating Strout’s work, I see even clearer what great company I am in as a developing artist.



